Balanchine on Ballet

In yesterday's post on ballet, I paraphrased George Balanchine, the creator of the New York City Ballet and choreographer extraordinaire. The nature of the exact quotation has been bothering me all day, so tonight I sat down with "Balanchine A Biography" by Bernard Taper (Times Books, 1984) which I had read many years ago. After some searching I found the quotation I had remembered after all these years.

It comes in the first chapter of the book, which describes how Balanchine created a ballet and taught it to his dancers. Here is the entire passage:

"While Balanchine was working on his choreography and transmitting it to the dancers, he concerned himself little with nuances of performance. The last few days before the premiere, he usually concentrated on that aspect: Getting his ensemble to approach his idea of perfection. Balanchine's style demands unusual precision and energy, and as he worked on his dancers' performance techniques he could be constantly heard exhorting them to more vigor, to more clarity in their attack on every movement. "Audience must be made aware that leg is your leg and is going right there!"...Balanchine's intense vision of beauty as the end result of all this was always present, however, and no one was permitted to forget it. "Isn't it selfish of you," he chided one corps de ballet member, "to expect three thousand people to sit and watch you lift your leg if you're not going to do it beautifully?"

It should come as no surprise that Balanchine's most famous statement is "Ballet is woman". Nearly all his ballets said it, just as they also said that the only way a man can achieve or approach the liberation of his soul is by the homage and devotion he shows woman.

I fear my soul has not yet been liberated....but it isn't too late to start now, is it?